Zero G PS PLATINUM Afrolatin Slam Education Version

Buy the Zero G PS PLATINUM Afrolatin Slam Education Version from Dolphin ...

• Online Price: £50.99 GBP (inc VAT)
• SRP: £51.00 GBP   Save £0.01 GBP (0%)
• Euro Price: €55.98 EUR (1 GBP = 1.09784 EUR)
• Availability : Call 0844 815 0888 for availability
• Manufacturer SKU: PSP03EDU-1   Dolphin ID: 20365
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Coming soon, AFROLATIN SLAM is a "must have" virtual instrument for Sound Designers, Music Producers, Musicians and DJs, who would like to inject an authentic afro-latin feel into their projects. Over a period of two years, Francis Fuster and Sultan Makende, together with some very special friends, have put together this eclectic selection of rhythms, loops and hits. Most of the rhythms were recorded at Sultan Sound studio in London, but some were recorded in the field, in Africa and South America, preserving the original local ambience.

Francis Fuster hails from Sierra Leone and is one of the world's foremost percussionists. He has played for Paul Simon, Hugh Masekela, Manu Dibangu, Miriam Makeba, and many others. In the '70's he was based in Lagos, Nigeria where his band 'BARANTA' (recently reformed) often played at Fela Kuti's 'Shrine'.

Kenyan, Sultan Makendé (aka Dave Yowell) is a multi-instrumentalist and producer who has lived and worked in Africa, The Middle East, Europe and South America. Now based in London, he has worked with Left field, Trans Global Underground, Judge Jules, Moreno Veloso and many top African Artists including Pat Thomas, Julian Bahula, Mose 'Fan Fan' and Abdul Teejay.

Instruments included are : Djembes, Congas, Bongos, Tam Tam, Dondo (talking drum) Timba, Surdo, Rebolo, Cuica, Pandeiro, Berimbão, Timbales, Tongue Drum, Sanza, Cavaquinho, Repico, Tamborim, bells, Shakers and many other more obscure instruments.

There are over 300 loops and samples, comprising more than 600 megabytes of sounds. The Rhythm loops range from frenetic West African Kpalogo, to pulsating Afro-latin grooves. All loops have been classified by region, tempo in BPM and key, if a melodic instrument. Most of the 'studio' loops start with a full versions of the loop and are then broken down into individual elements or 'construction kits'.

Contents:

• African section: Sounds from the Congo, Côte D'Ivoire, Ghana, Nigeria and more, including Afrobeat, Afrofunk, Juju, Afrolatin Fusion, Afrobossa and more.
• South American section: Batucada, Berimbao, Caxixi, Candomblé, Chôro, Forró, Frevo, Makumba, Maracatu, Pandeiro, Salsa, Samba, Carribean soca.
• Instruments & Individual Hits section: African Percussion, Balafon, Brazilian Percussion, Kalimba, Molo, Toy Percussion.
• Misc Loops & Hits section: Classic Break Beats, Funky Dread Drums, Vintage Breakbeat, Funky Jazz Breaks, Garage beats, Dark Drum'n Bass, Vintage Drum n' Bass, and more.

The whole library is presented within a stunning new state-of-the-art plug-in interface by NATIVE INSTRUMENTS which is specifically designed for rhythmic loop playback, manipulation, and mayhem. The convenient one-screen interface is based on (and provides all the sound manipulation tools of) NI's new INTAKT sampler, and features tremendous sound shaping abilities without disrupting the creative flow, including a first-class multimode filter, an envelope follower, two LFOs, effects, and more. The loops have been set up so that they can be automatically synced to tempo, either via the Beat Machine or the Time Machine. The Beat Machine has loops divided into their individual hits or notes (slices) which means they can be played at a wide range of tempos without change in pitch. It also allows the user to give each hit or note individual settings for pitch, playback direction, pitch envelope, amp envelope, distortion, delay, and more; a MIDI file of each loop can be easily exported so that groove, accent, and feel can be manipulated in any host sequencer. Alternatively, the Time Machine time-stretches or compresses loops in real time.

Not only can you sync, stretch, and pitch the loops, but also filter, effect and modulate them as well! A powerful sound-shaping filter, flexible envelopes, syncable LFOs, and distortion, syncable delay, and lo-fi effects can inject even more energy and individuality into the loops, and morph every sample. Since the software interface is based on the KONTAKT engine, working with it is fast, easy, and sounds great!

Features:

• Over 600 Mb of loops & samples

Features of NI Interface:

• Access to individual hits (slices) within loops
• Easy and intuitive user interface
• User interface is a player version of Native Instruments' INTAKT, whose engine is based on KONTAKT, the world's finest software sampling engine
• Loops use one or more of the three sampler-modes: Beat Machine with ISE (Individual Slice Edit), Time Machine and standard Sampler mode
• Easy synchronization of loops to MIDI tempo,
• MIDI file export permits groove, accent, and feel manipulation in any host sequencer
• Integrated effects: Group filter including low-pass, high-pass, band-reject or band-pass modes, global filter, lo-fi, distortion, syncable delay
• Modulation section provides AHDSR envelope, two individual syncable LFOs, envelope follower and a DBD pitch envelope
• Total Recall

The sound library can also be loaded into other Native Instruments samplers including INTAKT itself and KONTAKT version 1.3, for even greater flexibility and more options for working with the material.

Supported Interfaces: VST® 2.0, DXi, ASIO, Soundmanager, FreeMIDI, OMS, Audio Units**, Core Audio**, RTAS**

** RTAS support and OS X compatibility including support for Audio Units and Core Audio will be available as downloadable update later.

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